By Sue Townsend
This 5th installment of Adrian Mole's diary (The mystery Diary of Adrian Mole elderly thirteen 3/4; Adrian Mole: The Cappuccino Years, etc.) breaks new floor with its problem for present affairs and its sympathetic remedy of not-always-exemplary characters. Adrian, as traditional, is being affected by quite a few relationships and with consistent monetary difficulties, consistently attempting to do the best factor, yet often giving in to his baser urges, in love and in spending. He turns into by chance engaged to dollhouse-building homebody Marigold whereas spending flirtatious evenings with youth love Pandora; fires off missives to the likes of Tony Blair and Tim Henman; and works, surely, to be a great father, buddy and ex-husband to a solid of frequently extraordinary yet constantly human characters. Townsend, writer of diverse non-Adrian novels, performs and nonfiction, makes Adrian's grownup disorientation palpable as he attempts to determine how he went from web hosting a well-liked tv convey to operating in a failing second-hand bookstore, and copes with the surprise of seeing youth bullies make stable and formative years desires cross awry. Arguments concerning the warfare determine prominently: one in every of Adrian's sons is distributed to Iraq; his ally, Robert, is there, too. Adrian's reactions to the warfare are complicated, humorous and wrenching. by the point the diary breaks off (on Sunday, July 22, 2004), issues are taking a look up for Adrian and a bridesmaid—and he's contemplating (to her consternation) writing an autobiography.
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I suspect that they’re both brewing to ask about my greatest embarrassment. On this score I have a rabid aversion to sharing. It’s nobody’s business, my hoard of childhood humiliations. My father’s death, my jailbird brother, my crippled sister, my brutal mother who bitch-slapped me into manhood, I hold them as close to the vest as a bluffing cardsharp holds his hand. I sip the wine, followed by a glass of water. I finish my salad, then my pasta, and mop the plate clean with bread. By the ceremonial gravity of my gestures I cast myself in a classical mode, a man who doesn’t welcome personal disclosures.
We’re not planning to turn Aeschylus into tabloid journalism. But as we conceive it, the principal characters are Muslim immigrants. Very religious. From Pakistan, Afghanistan, someplace like that. ” Mal asks, no doubt wondering, as I do, where I fit in. “Yes. It’s Aeschylus, almost word for word. Only the context and motivation and a few scenes and lines have changed. Agamemnon is a fundamentalist patriarch who murders his daughter Iphigenia because she falls in love with a Christian boy. It’s an honor killing.
She parked the Nova for good and depended on me to deliver her groceries and prescriptions. Except for doctors’ appointments every few months, she never leaves the house now. Eventually the car battery died, the tires went flat, and the door locks rusted shut. Still, Mom won’t have it towed away. She considers the broken-down Chevy a kind of scarecrow against burglary. She’s convinced that thieves, seeing it in the driveway, will steer clear. Ever since integration, she’s regarded herself as under siege.