By Carol Edington
Sir David Lindsay of the Mount is a key determine within the historical past of Scottish literature and in any wider research of the Renaissance interval. to this point, experiences have focused principally on Lindsay the poet or Lindsay the spiritual reformer, methods that forget his better value. by way of finding him extra accurately inside a historic, political and non secular context, this booklet illuminates either Lindsay's personal paintings and the information that contributed to shaping Scottish tradition in the course of his time. The publication is split into 3 components. the 1st half addresses Lindsay's occupation, tracing his provider on the courts of James IV and James V and his involvement within the spiritual controversies of the interval. the second one half appears at Lindsay as political philosopher, studying his principles on such concerns as kingship and commonweal. The 3rd half discusses Lindsay's poetry within the gentle of the non secular weather in Scotland at the eve of the Reformation.
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Extra resources for Court and culture in Renaissance Scotland: Sir David Lindsay of the Mount
W. J. Evans has recently referred to the early modern European court as "a protean institution and an elusive subject," at once an institution, an ethos, and a society. 2 These different ways of understanding the court have meant that even within one country and one period it has been viewed in many different lights. In Tudor England, for example, debate has focused on the division between the court and the administration and between courtiers and professional bureaucrats. 4 More recently, Elton's perceived "Tudor Revolution in Government" has been challenged, most notably by David Starkey.
Various attempts to resolve the political stalemate and find a compromise solution culminated in the decision to rule through a council of rotating membership which would have control of the king. However, when in October 1525 the time came for Angus to hand over power, belief in impending annihilation at the hands of his enemies prompted him to chance what was, in effect, a coup d'état, and he refused to relinquish the king, a situation which was ultimately accepted and finally legitimated by Parliament in June 1526.
14 Indeed, writing in his old age, Lindsay himself alludes to the deficiencies of his education: Nochtwithstanding, I thynk it gret plesour, Quhare cunnyng men hes languagis anew, That, in thare youth, be deligent labour, Hes leirnit Latyne, Greik, and old Hebrew. That I am nocht of that sorte sore I rew: (The Monarche, 59498) There is, however, more to this than meets the eye for, while it is quite likely that Lindsay knew neither Greek nor Hebrew, the sources cited in his works reveal him to be a reasonably competent Latinist.